Useful article on the colour red, its meanings, development of different shades and uses through art history.
‘Fun fact: In Medieval times, synthetic vermilion was as costly as gold leaf. Thus it was used only for the most important aspects of illuminated manuscripts, while less costly red lead was used for red letters within the text.’
For this Noosa business, which has been providing reliable, stylish limousine services for many years, the new responsive site theme features an attractive promotional video, a blog and booking facilities for wedding and airport transfers.
The current Sibagraphics look is inspired by the abstract expressionist art of Wassily Kandinsky, one of our favourite artists, and by the colours of the Sunshine Coast, Queensland.
Based on the Twentyseventeen WordPress theme, our child theme has been heavily modified to enable full width pages and extra widgets for slide shows and side inserts, using our own page template. Because the slide shows are easily changeable, we’ll be able to add and subtract new photos, or change the whole look sporadically as we wish. The new Twentyseventeen theme also permits videos rather than photos.
The variable height headers are deployed through a combination of css and dynamic widgets.
Gradually, the complete, very large site will be moved over to the new template, with more photos, graphics and animations to be added as well.
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This new site features a range of new plugins, enhanced widget control and sliders.
‘The ubiquity of indigo dye has resulted in blue becoming the colour of the everyday clothes of the working class in Europe and Asia. But predominantly blue textiles and garments are also some of the most prestigious textiles, imparting status to the wearer and worn on important ritual occasions.
Their prestige may be signified by the of valuable materials such as gold and beads, the incorporation of extra colours, patterns and techniques, or special finishes.
In China the colour blue generally signifies the natural world, springtime, youth and immortality. The emperor wore a blue court garment at annual ceremonies associated with the heavens and crops, and indigo blue was the most common ground colour of Manchu clothing during the Qing dynasty (1644–1912AD).’